Showing posts with label Edmund Spenser. Show all posts
Showing posts with label Edmund Spenser. Show all posts

Sunday, June 22, 2025

“The Ulsterior Motive” and other unpublished writings of Tolkien

With the upcoming publication of “The Bovadium Fragments” — following the recent Collected Poems, Nature of Middle-earth, Battle of Maldon, and continuing issues of Parma Eldalamberon — we might take a moment to consider how much else is left of Tolkien’s unpublished work and whether any of what remains is publishable. In the past, folks have collected lists of what was then unpublished (like this one), but today, in 2025, most of these works have now appeared in print.

Apart from academic papers, of which there is still a very great deal indeed — hundreds of pages, I believe; and the diaries and private papers, which are likely enough never to be published; and the remaining unpublished linguistic material, including satellite material of a philological nature like The Book of the Foxrook (part of the Tolkien Family Papers); there are still some bits and bobs that might still be published one of these days.

One of these is an odd short story called “The Orgog”, “a strange, convoluted tale of an odd creature travelling through a fantastic landscape” [1]. Wayne Hammond and Christina Scull hypothesize that the unfinished story relates to a watercolor of 1924.

I’ve wondered whether “orgog” might relate to “ogre”, perhaps connected with Hilary Tolkien’s (and Ronald’s) childhood tales of black and white ogres. Or there is the character of Orgoglio from Edmund Spenser’s The Faerie Queene. That work was more to Lewis’s taste than Tolkien’s, but you never know. In that work, Orgoglio is a monster who attacks Redcross Knight in Book One, Canto VII. The name, interestingly enough, is Italian for “pride”, from Vulgar Latin *orgollium, in turn from Proto-West Germanic *urgollju “pride, arrogance”.

But these are no more than guesses, since I haven’t seen it. Others have but aren’t at liberty to say more. In any case, I was told it “really isn’t in a state suitable for publication” (private correspondence).

There’s another incomplete short-story called “The King of the Green Dozen”, described by Tolkien as “an unfinished pseudo-Celtic fairy-story of a mildly satirical order, which is also amusing as far as it has gone” [2]. So, that’s two unfinished short stories, which might or might not be fit for publication or hold any real interest for readers. But likely enough, they’ll end up in print someday anyway — if I were to bet on it.

And then there is “The Ulsterior Motive” (1964), an unpublished piece of nonfiction critiquing — harshly it would seem — C.S. Lewis’s Letters to Malcolm, which had been published after his death. This manuscript is heavily restricted and seems not to be destined for publication any time soon, maybe never, because of the sensitive and personal nature of the reproach. Humphrey Carpenter quoted part of a paragraph from it in his book, The Inklings (p. 50), and A.N. Wilson carries that same quote on by another sentence or two (p. 135–6). Wilson gives us a bit more summary and spares us one further short quotation, in which Tolkien refers to Lewis’s “anti-Catholic mythology” (p. 217). I feel no need to reproduce these descriptions and quotations here — they can be found elsewhere. I’m more interested in the title.

While the play on words, “ulsterior motive” (“ulterior motive”) is clever, it’s not original to Tolkien. Far from it. Many before Tolkien, it seems, used this particular turn of phrase connoting the hidden goals and conflicts, religious and political, within Ireland and between Ireland and England.

The earliest example of something similar, not identical, that I’ve found occurs in a letter from November 1880:

Next to open and secret enemies, indiscreet friends are, perhaps, the most disagreeable of created beings. Unfortunate Mr. Boycott, who wanted a score, at most, of Northern men to get in his crop, has been threatened with an invasion from Ulster. The opposition of the Government to such ‘Ulsterior’ measures, as a Galway man called them to-day [sic], has at least had the effect of moderating the rancour of the relief expedition. [3]

A little later, in an 1892 issue of Punch, two puns for the price of one in a letter to the editors on the subject of Home Rule in Ireland, a big topic of the day:

“NE PLUS ULSTER.” — Decidedly, Ulster can’t go beyond “its last”, or rather, its latest, most utter utterances. So far, “words, words, words” [a reference to Hamlet, I take it]; but from words to blows there is a long interval, especially when their supply of breath having been considerably exhausted, there is not much to be feared from their “blows”. However, so far, the men with Ulsterior views have been patted on the back by the Times […] [4]

Not surprisingly, these phrases become much more common in the years leading up to and following the partitioning of Ireland in 1921.

In 1909, again on the demand for Home Rule:

There are those, I know, who cannot read the records of three or four hundred years ago without wanting to go out and lick the opposition. […]

                But even granting that I was animated by no ulterior — or shall we say Ulsterior? — motives, there are those who complain that the historical references were unfair, tending to accuse one side and excuse the other. [5]

 In 1918, on the same topic:

Having scotched political self-determination at home, they [the Loyalists; those in favor of Ireland’s remaining in the United Kingdom] became seized of a praiseworthy ambition to confer that denied benefit upon the unenlightened foreigner. As for the mere Irish, they gradually realized the symbolism of this loyal gesture, the Ulsterior motive became apparent: the war was on behalf of the small nations, but one had been forgotten. [6]

In 1920, as part of a lengthy humorous “catechism” for Irishmen in Cartoons Magazine:

Q. When will the British sojers [i.e., soldiers] be taken out of Ireland?

A. In the mornin’.

Q. When will the north cease to be guided by Ulsterior motives?

A. In the morning’.

Q. When will the south love the Carsoneers like she loves Dublin Castle?

A. In the morning’. [7]

And so on at great length, ending with a final refrain of “in the mornin’”. To be honest, I don’t have the cultural and historical context to appreciate the humor here, but it was evidently deemed worth printing.

In 1921, seven months or so after the partitioning of Ireland was enacted, an interesting comparison to the political situation in the Orange Free State, in which Tolkien himself had been born a bit less than thirty years before, made here in reference to a piece that had appeared in the Evening News.

It was extraordinary, perhaps, how quietly London took the news yesterday, and particularly last night. There was a buzz of excitement in one very English St. James Street club, when Mr. Michael Collins was taken in there for a meal; and there were a few colourless jests as to whether Ulster would now claim the title of Orange Free State, whether there was an “Ulsterior” motive about the settlement, and how long it would be before Ireland had a postage stamp of her own. [8]

And finally, a piece more in line with my own interests — and Tolkien’s, Americanisms notwithstanding — from Philological Quarterly in 1930. Here, alongside “plattitudes” as a pun on the Platt Amendment in the United States, and the humorous division of the Anglican Church into Platitudinarians, Latitudinarians, and Attitudinarians, we get this bit:

A pun as well as a blend may have been intended by him who before the War suggested that Mr. Lloyd George, in his dealings with Ireland, had “Ulsterior motives”. [9]

Clearly enough, judging by these several and varied examples, the pun was rather often used and may have been a commonplace, may have even become passe, by the time Tolkien adopted it in 1964. But will we ever see this piece in print? Hard to say for sure, but I wouldn’t lay money on it.


[1] Hammond, Wayne G. and Christina Scull. J.R.R. Tolkien: Artist & Illustrator. Houghton Mifflin, 1995, p. 77.

[2] See Tolkien’s Letters, p. 40; see also Letters, p. 436 for a very brief summary by Carpenter.

[3] Becker, Bernard H. Disturbed Ireland: Being the Letters Written During the Winter of 1880–81. Macmillan, 1881, p. 127.

[4] Punch, or The London Charivari. Vol. CII, 25 June 1892, p. 305.

[5] Sutherland, Hugh. Ireland: Yesterday and Today. The North American Co., 1909, p. 258.

[6] Gnathaí gan Iarraidh [E. A. Boyd], The Sacred Egoism of Sinn Féin, Maunsel & Co., 1918, p. 5. Here, the clever (and maybe prejudiced) used of “scotched” is rather telling!

[7] Cartoons Magazine, Vol. 17, No. 4, April 1920, p. 551.

[8] Stamp Collectors Fortnightly, 24 December 1921, p. 418.

[9] Withington, Robert. “Some New ‘Portmanteau’ Words.” Philological Quarterly, Vol. IX, No. 2, April 1930: 158–64, p. 160.

Thursday, July 24, 2008

The World and Man’s essential place in it

Vitruvian WorldOkay, I admit that sounds a bit overblown and vaguely philosophical — calling to mind subjective idealism, phenomenalism, the intellectual debates of Locke, Berkeley, and Hume, and so on. But while that’s an interesting subject in its own right (feel free to stop by Wikipedia on your way out), I had something else in mind. As usual, it all starts with words. So perhaps I might restate the title of this post as something more like: “world” and the essential place of “man” in its etymology.

If language really does define our perceptual limits (I won’t digress into a discussion of the theories of Sapir/Whorf), then it makes sense that we might find “man” in the “world” — human beings can’t really imagine a world without them in it, after all. I know I can’t! ;)

The word world derives from Old English weorold (interestingly, as you’ll soon appreciate, a feminine noun — I wonder whether this is the same grammatical process responsible for distinctions like the French le mort “a dead man” versus la morte “death, as an abstract concept”). [1] Skeat points out in his Etymological Dictionary that the word is clearly a composite form [2]. Cognate forms among the other Germanic languages include Old Norse (and Modern Icelandic) veröld, Old High German weralt (cf. Modern German Welt), Old Low Franconian uuerolt, and though not attested, I feel confident theorizing Gothic *waíralds [3].

Of what individual elements, then, might weorold be composed? Spenser thought it was war + old ; that is, the domain of an ever ongoing strife. So he says in the Faerie Queene“But when the world woxe old, it woxe warre old / (Whereof it hight)” [4]. A clever guess, and one that seems apt enough given mankind’s perennial struggles, but wrong. Rather, the word comprises the two joined elements of man + age = “the age of man” = therefore, the world. Thus, OE wer “man” (cf. Modern English werewolf = “man-wolf”, and cf. Latin vir “man”) + eald “old, ancient, aged” (cf. eald-dóm “age”); and likewise, ON verr + öld; OHG wer + alt; OLF uuer + olt — all from Primitive Germanic *weraz + *alda.

Interesting, no? And it turns out that world is hardly the only word dependent on man. Consider Latin sæculum “lifetime, age of man” (from one of the oldest known Indo-European roots, meaning “to tie, bind”). As it developed, the Latin word retained both the senses of time, cf. Modern French siècle “century”; and world, cf. Modern English secular, meaning “worldly, mundane”. Speaking of mundane, which itself derives from the Latin word mundus “universe, world” (cf. French monde, Spanish mundo, Italian mondo), it’s tempting to look for the man in mundus as well, but that’s a misstep. The original meaning of mundus is “order”, as in a world or universe arranged neatly according to a divine plan. (The Greek κόσμος carries the same original sense and survives into Modern English in the words Cosmos, cosmic, and as a combining form in words such as cosmology.)

It is equally tempting to look for man in human, but the etymology of that word is a little different. Even so, we still can find a connection to the world in it. Turning back to the familiar Latin source, the adjective hūmānus “pertaining to man”, from the noun homo “man”, we find something surprising: homo derives from humus “the ground, the earth, the soil” from which, according to the Christian tradition, the first Man came [5]. The word humus has survived into Modern English as well, referring to fertile, organic topsoil suitable for growing things. Where did the Romans get this idea? From the Hebrew Bible, one would surmise. There, the first Man took his name, Adam (Hebrew אדם), from the substance out of which God made him, the earth (Hebrew אֲדָמָה /adama/). Genesis 2:7 [6] may therefore be one of the oldest statements of etymology we know!

How much of this connection between man and the earth is due to our own anthropocentric view of the universe? All of it, really; Man was, and is, the central actor on the stage of the world (to paraphrase Shakespeare). After all, without Man, who would there be to speak the word world — or anything else, for that matter? I suppose our glossopoeic nature gives us license to name, even to define, the world with our own distinctly human nomenclature. If we one day should find that chimpanzees, dolphins, or bees have genuine languages of their own, then who knows? We may have to rethink our whole Weltanschauung. :)



[1] Does it go without saying that there are several different dialectal variations of the word, as of most Old English words? It should. “Old English” usually corresponds to the West Saxon dialect, simply because of the extent of the surviving lexis, though Modern English, in fact, is closer to the Mercian dialect. At any rate, other attested forms include weoruld, weorld, woruld, worold, etc.

[2] Skeat, Walter William. An Etymological Dictionary of the English Language. 2nd ed. Oxford: The Clarendon Press, 1893, p. 718.

[3] Built from the same components as the other cognate forms; in this case, the attested Gothic waír “man” + alds “age, life” (see Wright, Joseph. A Primer of the Gothic Language. Oxford: The Clarendon Press, 1892, pp. 238, 212, for these words. Putting them together, however right or wrong, was me.) There is also an attested word with a similar composite meaning in Gothic: manaséþs “mankind, multitude, world” (lit. “man-seed”).

[4] Book IV, Canto VIII, ll. 276–7.

[5] Valpy, F.E.J. An Etymological Dictionary of the Latin Language. London: Baldwin, Longman, and Whittaker, 1828, p. 188. Note that other mythologies explain the origin of Man differently; for example, in the Old Norse tradition, the first Man and Woman were Ask and Embla, the Ash and Elm tree, respectively.

[6] In the King James translation, “And the Lord God formed man [Adam] of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul,” emphasis added. (The original Hebrew, וייצר יהוה אלהים את האדם עפר מן האדמה ויפח באפיו נשמת חיים ויהי האדם לנפש חיה)